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READING HALL " THE DOORS OF WISDOM 2022 "

THE DIARY OF A SON OF GOD

THE DIVINE HISTORY OF JESUS CHRIST

CREATION OF THE UNIVERSE ACCORDING GENESIS

 

 

 

THE LIFE AND TIMES OF CLEOPAYTRA,

QUEEN OF EGYPT

 

BY ARTHUR E. P. BROME WEIGALL

 

 

INTRODUCTORY

 

ALEXANDER THE GREAT IN EGYPT

 

PTOLEMY I SOTER, THE WINING OF A KINGDOM

 

CLEOPATRA OF EGYPT, THE MAKING OF A QUEEN

 

Part I. CLEOPATRA AND CAESAR.

 

I. AN INTRODUCTORY STUDY OF THE CHARACTER OF CLEOPATRA

II. THE CITY OF ALEXANDRIA

III. THE BIRTH AND EARLY YEARS OF CLEOPATRA

IV. THE DEATH OF POMPEY AND THE ARRIVAL OF CAESAR IN EGYPT

V. CAIUS JULIUS CESAR

VI. CLEOPATRA AND CESAR IN THE BESIEGED PALACE AT ALEXANDRIA

VII. THE BIRTH OF CESARION AND CESAR'S DEPARTURE FROM EGYPT

VIII. CLEOPATRA AND CAESAR IN ROME

IX. THE FOUNDATIONS OF THE EGYPTO-ROMAN MONARCHY

X. THE DEATH OF CESAR AND THE RETURN OF CLEOPATRA TO EGYPT

 

Part II. CLEOPATRA AND ANTONY.

 

XI. THE CHARACTER OF ANTONY AND HIS RISE TO POWER

XII. THE ALLIANCE BETWEEN CLEOPATRA AND ANTONY

XIII. CLEOPATRA AND ANTONY IN ALEXANDRIA

XIV. THE ALLIANCE RENEWED BETWEEN CLEOPATRA AND ANTONY

XV. THE PREPARATIONS OF CLEOPATRA AND ANTONY FOR THE OVERTHROW OF OCTAVIAN

XVI. THE DECLINE OF ANTONY'S POWER

XVII. THE BATTLE OF ACTIUM AND THE FLIGHT TO EGYPT

XVIII. CLEOPATRA'S ATTEMPT TO BEGIN AGAIN

 

XIX. OCTAVIAN'S INVASION OF EGYPT AND THE DEATH OF ANTONY

 

XX. THE DEATH OFCLEOPATRA AND THE TRIUMPH OF OCTAVIAN

 

CLEOPATRA THE GREAT

 

NICE READING

CLEOPATRA OF EGYPT

CAESAR,THE ALEXANDRIAN WAR

t. 1. Les cinq premiers Ptolémées (323-181 avant J.-C.)-

t. 2. Décadence et fin de la dynastie (181-30 avant J.-C.)

t. 3. Les institutions de l'Egypte ptolémaique.

t. 4. Les institutions de l'Egypte ptolémaique, suite et fin

 

Empire of the Ptolemies

 

THE QUEENS OF EGYPT

 

A history of Egypt under the Ptolemaic dynasty

 

A SHORT HISTORY OF GREEK MATHEMATICS

 

INTRODUCTION.

 

 

In the following pages it will be observed that, in order not to distract the reader, I have refrained from adding large numbers of notes, references, and discussions, such as are customary in works of this kind. I am aware that by telling a straightforward story in this manner I lay myself open to the suspicions of my fellow-workers, for there is always some tendency to take not absolutely seriously a book which neither prints chapter and verse for its every statement, nor often interrupts the text with erudite arguments. In the case of the subject which is here treated, however, it has seemed to me unnecessary to encumber the pages in this manner, since the sources of my information are all so well known; and I have thus been able to present the book to the reader in a style consonant with a principle of archaeological and historical study to which I have always endeavoured to adhere, namely, the avoidance of as many of those attestations of learning as may be discarded without real loss. A friend of mine, an eminent scholar, in discussing with me the scheme of this volume, earnestly exhorted me on the present occasion not to abide by this principle. Remarking that the trouble with my interpretation of history was that I attempted to make the characters live, he urged me at least to justify the manner of their resuscitation in the eyes of the doctors of science by cramming my pages with extracts from my working notes, relevant or otherwise, and by smattering my text with Latin and Greek quotations. I trust, however, that he was speaking in behalf of a very small company, for the sooner this kind of jargon of scholarship is swept into the world's dust-bin, the better will it be for public education. To my mind a knowledge of the past is so necessary to a happy mental poise that it seems absolutely essential for historical studies to be placed before the general reader in a manner sympathetic to him. History, said Emerson, no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by languages and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.

Such has been my attempt in the following pages; and, though I am so conscious of my literary limitations that I doubt my ability to place the reader in touch with past events, I must confess to a sense of gladness that I, at any rate, with almost my whole mind, have lived for a time in the company of the men and women of long ago of whom these pages tell.

Any of my readers who think that my interpretation of the known incidents here recorded is faulty may easily check my statements by reference to the classical authors. The sources of information are available at any big library. They consist of Plutarch, Cicero, Suetonius, Dion Cassius, Appian, De Bello Alexandrino, Strabo, Diodorus Siculus, Livy, Velleius Paterculus, Seneca, Lucan, Josephus, Pliny, Dion Chrysostom, Tacitus, Florus, Lucian, Athenaeus, Porphyry, and Orosius. Of modern writers reference should be made to Ferrero's Greatness and Decline of Rome, Bouche-Leclercq’s Histoire des Lagides, Mahaffy's Empire of the Ptolemies, Mommsen’s History of Rome, Strack’s Dynastie der Ptolemaer, and Sergeant’s Cleopatra of Egypt. There are also, of course, a very large number of works on special branches of the subject, which the reader will, without much difficulty, discover for himself.

I do not think that my statements of fact will be found to be in error; but the general interpretation of the events will be seen to be almost entirely new throughout the story, and therefore plainly open to discussion. I would only plead for my views that a residence in Egypt of many years, a close association with Alexandria, Cleopatra's capital, and a daily familiarity with Greek and Egyptian antiquities, have caused me almost unconsciously to form opinions which may not be at once acceptable to the scholar at home.

To some extent it is the business of the biographer to make the best of the characters with which he deals, but the accusation of having made use of this prerogative in the following pages will not be able to be substantiated. There is no high purpose served by the historian who sets down this man or that woman as an unmitigated blackguard, unless it be palpably impossible to discover any good motive for his or her actions. And even then it is a pleasant thing to avert, where possible, the indignation of posterity. An undefined sense of anger is left upon the mind of many of those who have read pages of condemnatory history of this kind, written by scholars who themselves are seated comfortably in the artificial atmosphere of modern righteousness. The story of the Plantagenet kings of England, for example, as recorded by Charles Dickens in his Child's History of England, causes the reader to direct his anger more often to Dickens than to those weary, battle-stained, old monarchs whose blood many Englishmen are still proud to acknowledge. An historian who deals with a black period must not be fastidious. Nor must he detach his characters from their natural surroundings, and judge them according to a code of morals of which they themselves knew nothing. The modern, and not infrequently degenerate, humanitarian may utter his indignant complaint against the Norman barons who extracted the teeth of the Jewish financiers to induce them to deliver up their gold; but has he set himself to feel that pressing need of money which the barons felt, and has he endeavoured to experience their exasperation at the obstinacy of these foreigners? Let him do this and his attitude will be more tolerant: one might even live to see him hastening to the City with a pair of pincers in his pocket. Of course it is not the historian's affair to condone, or become a party to, a crime; but it certainly is his business to consider carefully the meaning of the term crime, and to question its significance, as Pilate did that of truth.

In studying the characters of persons who lived in past ages, the biographer must tell us frankly whether he considers his subjects good or bad, liberal or mean, pious or impious; but at this late hour he should not often be wholly condemnatory, nor, indeed, need he be expected to have so firm a belief in man's capacity for consistent action as to admit that any person was so invariably villainous as he may be said to have been. A natural and inherent love of right-doing will sometimes lead the historian to err somewhat on the side of magnanimity; and I dare say he will serve the purpose of history best when he can honestly find a devil not so black as he is painted. Being acquainted with the morals of 1509, I would almost prefer to think of Henry the Eighth as bluff King, than as  the most detestable villain that ever drew breath. I believe that an historian, in sympathy with his period, can at one and the same moment absolve Mary Queen of Scots from the charge of treachery, and defend Elizabeth's actions against her on that charge.

In the case of Cleopatra the biographer may approach his subject from one of several directions. He may, for example, regard the Queen of Egypt as a thoroughly bad woman, or as an irresponsible sinner, or as a moderately good woman in a difficult situation. In this book it is my object to point out the difficulty of the situation, and to realise the adverse circumstances against which the Queen had to contend; and by so doing a fairer complexion will be given to certain actions which otherwise must inevitably be regarded as darkly sinful. The biographer need not, for the sake of his principles, turn his back on the sinner and refuse to consider the possibility of extenuating circumstances. He need not, as we so often must in regard to our contemporaries, make a clear distinction between good and bad, shunning the sinner that our intimates may not be contaminated. The past, to some extent, is gone beyond the eventuality of Hell; and Time, the great Redeemer, has taken from the world the sharpness of its sin. The historian thus may put himself in touch with distant crime, and may attempt to apologise for it, without the charge being brought against him that in so doing he deviates from the stern path of moral rectitude. Intolerance is the simple expedient of contemporaneous society: the historian must show his distaste for wrong-doing by other means. We dare not excuse the sins of our fellows; but the wreck of times past, the need of reconstruction and rebuilding, gives the writer of history and biography a certain option in the selection of the materials which he uses in the resuscitation of his characters. He holds a warrant from the Lord of the Ages to give them the benefit of the doubt; and if it be his whim to ignore this licence and to condemn wholesale a character or a family, he sometimes loses, by a sort of perversion, the prerogative of his calling. The historian must examine from all sides the events which he is studying; and in regard to the subject with which this volume deals he must be particularly careful not to direct his gaze upon it only from the point of view of the Imperial Court of Rome, which regarded Cleopatra as the ancestral enemy of the dynasty. In dealing with history, says Emerson, we, as we read, must become Greeks, Romans, Turks, priest and king, martyr and executioner. Even so, as we study the life of Cleopatra, we must set behind us that view of the case that was held by one section of humanity. In like manner we must rid ourselves of the influence of the thought of any one period, and must ignore that aspect of morality which has been developed in us by contact with the age in which we have the fortune to live. Good and evil are relative qualities, defined very largely by public opinion; and it must always be remembered that certain things which are considered to be correct today may have the denunciation of yesterday and tomorrow. We, as we read of the deeds of the Queen of Egypt, must doff our modern conception of right and wrong together with our top-hats and frock-coats; and, as we pace the courts of the Ptolemies, and breathe the atmosphere of the first century before Christ, we must not commit the anachronism of criticising our surroundings from the standard of twenty centuries after Christ. It is, of course, apparent that to a great extent we must be influenced by the thought of today; but the true student of history will make the effort to cast from him the shackles of his contemporaneous opinions, and to parade the bygone ages in the boundless freedom of a citizen of all time and a dweller in every land

 

PORTRAIT OF A GREEK LADY " THE PAINTING DATES FROM A GENERATION LATER THAN THAT OF CLEOPATRA, BUT IT IS AN EXAMPLE OF THE WORK OF THE ALEXANDRIAN ARTISTS

SERAPIS. THE CHIEF GOD OF ALEXANDRIA.

POMPEY THE GREAT

JULIUS CAESAR

QUEEN CLEOPATRA

MARC ANTONY

OCTAVIUS